
Yellow Majolica (Head), 2015 / ceramic, glaze / 7 x 7 x 7 inches
Pink (Head), 2016 / ceramic, glaze / 10 x 7 x 7 inches
Boy, 2016 / ceramic, glaze / 10 x 7 x 7 inches
Pink Girl, 2016 / ceramic, glaze / 10 x 7 x 7 inches
Choke, 2016 / ceramic / 11 × 10 × 14 in
Clown, 2016 / ceramic / 11 × 10 × 11 in
Purple Hand, 2014 / ceramic, glaze / 6 x 7 x 5 inches
Skull (pink & green), 2014 / ceramic, glaze / 7 x 5 x 8 inches
Bone, 2014 / ceramic, glaze / 19 x 5 x 4 inches
Floret (purple & red), 2014 / ceramic, glaze / 18 x 17.5 x 16 inches
Yellow Pelvis, 2015 / ceramic, glaze / 11 x 8 x 8 inches
Ribcage, 2014 / ceramic, glaze / 14 x 14 x 24 inches
Open Lungs, 2015 / ceramic, glaze, resin, epoxy / 7 x 15 x 12 inches
Deflate, 2015 / ceramic, glaze / 17 x x 20 x 7 inches
Scapula, 2015 / ceramic, glaze / 10 x 7 x 3 inches
Lewd and Tender, 2014 / ceramic, glaze, epoxy, foam, resin, plasticine / 44 x 24 x 40 inches
White hand, in place, 2014 / Ceramic, glaze, glass, resin, epoxy / 18 1/2 × 3 1/2 × 7 in
A Light Culture, 2015/ ceramic, glaze, resin, epoxy, and plasticine/ 70 x 50 x 60 inches
In Play, 2015 / ceramic, glaze / 35 x 25 x 21 inches
Opal, 2013 / ceramic, glaze / 20 x 17 x 14 inches
Blueman (Untitled), 2015 / ceramic, glaze, resin / 33 x 46 x 22 inches
Golden Hand, 2015 / ceramic, Glaze / 4.5 x 13 x 6.5 inches
Still-Life (Head), 2015 / plaster, aluminum, epoxy, plasticine / 15 x 9 x 9 inches
Pinch, 2014 / ceramic, glaze / 12 x 7 x 6 inches
In and Out, 2014, / ceramic and glaze / 11 x 13 x 19 inches
Somersault, 2013 /ceramic, glaze / 25 x 22 x 20 inches
Lungs, 2016 / ceramic, glaze / 18 x 18 x 14 inches
Holy Innocent, 2014 / ceramic, glaze, epoxy, foam / 27 x 27 x 96 inches
Leg and Teeth, 2015/ ceramic, glaze, and epoxy/ 26 x 8 x 10
Youth, 2015 / ceramic, glaze / 12 x 19 x 12 inches
Undone, 2014 / ceramic, glaze, and cement / 18 x 21 x 27 inches
Using a traditional sculptural format (the monument), Meghan Smythe captures contradicting extremes within human gesture: intimacy and brutality, beauty and ugliness, or the lewd and tender. In her attempt to achieve an "elegant vulgarity," she encapsulates moments that define our mortality in unanticipated ways; oftentimes toeing the delicate line between erotic and macabre tendencies that give way to life, and ultimately death. Glass, ceramic, and concrete are woven together in an elaborate, orgy-like web of body parts and organic artifacts, as if suddenly cast with Pompeii-like circumstances. Like excavated antiquities or fossils, Smythe's ceramic compositions allude to the cyclical nature of civilization - a dramedy in which all of the players are subject to conquest and demise.
Smythe (b. 1984, Kingston, ON) received her MFA from the Alfred University School of Art and Design (NY). Her work has been shown at the Arizona State University Art Museum (AZ) and the Gardiner Museum, Toronto (ON). She was the Visiting Artist in Residence at California State University, Long Beach (CA) from 2012-2014, where she continues to teach Ceramic Arts. The artist lives and works in Long Beach, CA.