Rugg is renowned for her meticulous and labor-intensive work which involves deconstructing and slicing an object into minute shards to then re-organize and reconstruct it according to arbitrary codes. The original meaning is removed to reveal new ones, and to corrupt or destroy the object’s function. This act of mischievous “sabotage” is applied to ephemeral and iconic objects such as newspapers, comic books, product boxes, sweaters, and stamps, and more recently to larger formats such as wallpaper and furniture – and, by doing so, she turns a neutral vehicle for a message into an object to be considered.


By giving value to something which would normally be disposed of, Rugg transgresses conventional systems by obliterating what is conceived to be the important element, “the content”, and retaining everything else, the material, the shapes, the typography, the colour palettes and the layout. Through the new works presented in the exhibition, she continues her investigation into the relationship between images and their signifier. She questions the way in which the information we process daily is preconceived and prompts the viewer to consider the familiar from an entirely new perspective.

Rugg received her MFA in Sculpture from the Royal College of Art (London). Her work can be seen in the permanent collections of the National Gallery of Art (D.C.) and the Frederick R. Weisman Foundation (CA), the Museum of Contemporary Art, San Diego (CA), Honolulu Museum of Art, the Norton Museum (FL), and the Museum of Fine Arts Houston (TX) among others. She has been included in exhibitions at the San Jose Institute of Contemporary Art (CA), Elizabeth Foundation for the Arts (NY), Galerie Schmidt Maczollek (Cologne), and Nettie Horn Gallery (Manchester), P.P.O.W. Gallery (NYC), and was the recipient of the Thames and Hudson Prize from the Royal College of Art Society in 2004. She lives and works in London (UK).

For a full biography and curriculum vitae, please click the PDF download link below.

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