Osos, 2014 / Hydrocal, wood, acrylic paint / 32 × 50 × 3 in
81.3 × 127 × 7.6 cm
Olympus Bear, 2017 / Salt fired stone ware with cobalt and some porcelain additions / 14 × 7 1/2 × 7 in
35.6 × 19.1 × 17.8 cm
Alphabet Pot, 2017 / Salt fired stone ware with cobalt and some porcelain additions / 9 × 7 1/2 × 7 1/2 in
Alphabet Jug with Face and Flower Eyes, 2017 / Salt fired stone ware with cobalt and some porcelain additions / 9 × 7 × 7 in
Osos, 2014 / Hydrocal, wood, acrylic paint, 32 × 50 × 3 in
The Wrestler, 2014 / glazed earthenware / 16 x 12 x 12 inches
Foot Vase with Flower, 2012 / glazed earthenware, high fired / 10 x 12 x 5 inches
Foot Vase, 2012 / glazed earthenware, high fired / 9 x 11 x 5.5 inches
Jeffry Mitchell was born in 1958, the fourth of nine children of working-class parents. After experiencing a largely itinerant childhood owing to his father’s career, Mitchell continued this nomadic lifestyle in his young adulthood. Although his family eventually established a somewhat permanent residency in Seattle, he decided to attend the University of Dallas in Irving, Texas, and spent a semester in Rome, an experience that had a profound effect on his work. After graduating with a BA in painting, Mitchell moved to Japan to teach English and landed an apprenticeship with a production potter in Seto (known as one of the “Six Old Kilns” in traditional Japanese pottery).
Impressed and changed by his experiences abroad, Mitchell returned to Seattle in 1984 and enrolled in a printmaking class at the Cornish College of the Arts. This spurred his decision to pursue an MFA in printmaking at the Tyler School of Art, Temple University in Philadelphia. During his studies he returned to Rome, setting up a studio in the basement classrooms at Villa Caproni. Notable solo exhibitions of Mitchell’s work include: Like a Valentine: The Art of Jeffry Mitchell, 2012-2013, Henry Art Gallery; Some Things and Their Shadows, 2009, Kittredge Gallery, University of Puget Sound, Tacoma, WA; Shiny Happy Pretty (with Tina Hoggatt), 2008, Missoula Art Museum; Hanabuki, 2001, Henry Art Gallery; My Spirit, 1992, New Museum of Contemporary Art, NY; and Documents Northwest: The Poncho Series, 1990, Seattle Art Museum.
Mitchell’s work can be found in numerous private and public collections including the Smithsonian American Art Museum, Seattle Art Museum, Philadelphia Art Museum, Museum of Fine Arts, Boston, Philadelphia Art Museum, Fogg Art Museum (Harvard University), Honolulu Museum of Art, Tacoma Art Museum, and the Portland Art Museum.