whatnot

Whatnot I, 2010

Glass, paint, adhesive

84 x 42 x 30 in (213.4 x 106.7 x 76.2 cm)

For Sale - $150,000

Asclepius Purpurascens

Asclepius Purpurascens, 2019

Slip cast ceramic

17 × 11 × 1/2 in (43.2 × 27.9 × 1.3 cm)

For Sale - $5,000

Astralagus Neglects, 2019

Astralagus Neglects, 2019

Slip cast ceramic

17 × 11 × 1/2 in (43.2 × 27.9 × 1.3 cm)

For Sale - $5,000

Chalice and Tanalian Mountain II

Chalice and Tanalian Mountain II, 2014

Lambda mounted to aluminum with gloss laminate

43 × 55 in (109.2 × 139.7 cm)
Edition of 3
For Sale - $14,000

Chalice with Detritus, Lake Clark, AK, 2014

Chalice with Detritus, Lake Clark, AK, 2014

Lambda print mounted to aluminum with gloss laminate

58 × 38 in (147.3 × 96.5 cm)
Edition of 3
For Sale - $12,000

Cluster #17, 2020

Cluster #17, 2020

Glass, adhesive

8 × 15 × 13 in (20.3 × 38.1 × 33 cm)

For Sale - $18,000

Cluster #18, 2020

Cluster #18, 2020

Glass, adhesive

8 × 15 × 10 in (20.3 × 38.1 × 25.4 cm)

For Sale - $15,000

Cluster #21, 2021

Glass, adhesive

6 × 12 × 10 in (15.2 × 30.5 × 25.4 cm)

For Sale - $13,000

Distill #1, 2015

Distill #1, 2015

Bass

9 × 13 × 4 1/2 in (22.9 × 33 × 11.4 cm)

For Sale - $12,000

Distill #8, 2015

Distill #8, 2015

Cast iron with chrome plating and rust patina

11 × 8 × 6 in (27.9 × 20.3 × 15.2 cm)

For Sale - $15,000

Distill #11, 2015

Distill #11, 2015

Cast iron with clear enamel

12 × 17 × 11 in (30.5 × 43.2 × 27.9 cm)

For Sale - $20,000

Lapsed Concession, 2018

Lapsed Concession, 2018

Glass, Wood, Enamel, Paint, Adhesive

33 × 30 × 27 in (83.8 × 76.2 × 68.6 cm)

For Sale - $75,000

verso

Pterospora Andromeda, 2019

Pterospora Andromeda, 2019

Slip cast ceramic,

17 × 11 × 1/2 in (43.2 × 27.9 × 1.3 cm)

For Sale - $5,000

Salix Cortada, 2019

Salix Cortada, 2019

Slip cast ceramic

17 × 11 × 1/2 in (43.2 × 27.9 × 1.3 cm)

For Sale - $5,000

Biography

Beth Lipman is an American artist whose sculptural practice explores aspects of material culture and deep time through still lives, site-specific installations, and photographs. Ephemeral and intricate, the work addresses mortality, materiality, and temporality. Lipman is also known for site responsive installations that activate the specific history of objects, individuals, and institutions. ReGift, a site-specific installation investigating Florence Scott Libbey, will be on view at the Toledo Museum of Art in the summer of 2023.

 

She has received numerous awards including a USA Berman Bloch Fellowship, Pollock Krasner Grant, Virginia Groot Foundation Grant, and a Louis Comfort Tiffany Foundation Grant. Recent works include Living History, a large-scale site-specific sculpture that explores the dual concepts of deep maps and deep time and Belonging(s) a sculptural response to the life of Abigail Levy Franks for the Crystal Bridges Museum of American Art (AR).

 

Lipman has exhibited her work internationally at such institutions as the Ringling Museum of Art (FL), ICA/MECA (ME), RISD Museum (RI), Milwaukee Art Museum (WI), Gustavsbergs Konsthall (Sweden) and the Renwick Gallery of the Smithsonian American Art Museum (DC). Her work has been acquired by numerous museums including the North Carolina Museum of Art, Brooklyn Museum of Art (NY), Kemper Museum for Contemporary Art (MO), Smithsonian American Art Museum (DC), Jewish Museum (NY), Norton Museum of Art, (FL), and the Corning Museum of Glass (NY).

 

Lipman lives and works in Sheboygan Falls, Wisconsin.

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