Ben Weiner


February 22 – March 29, 2014

Excesstraction, 2013 / oil on canvas / 60 x 90 inches

Body Party, 2013 / oil on canvas / 60 x 90 inches

Like Frozen Food My Love Will Last Forever, 2013 / oil on canvas / 60 x 90 inches

(W)hole, 2014 / oil on canvas / 28 x 42 inches

Her Fantasy, 2014 / oil on canvas / 60 x 90 inches

Future Fluids, 2013 / oil on canvas / 60 x 75 inches

Inner Space, 2013 / oil on canvas / 48 x 72 inches

Still Life with Fruit Flavors, 2013 / 5-hour energy and ink on chromatography paper / 4.5 x 5.5 inches

Happiness, 2013 / molly and ink on chromatography paper / 4.5 x 5.5 inches

Maximum Strength Vanitas, 2013 / 5-hour energy and ink on chromatography paper / 4.5 x 5.5 inches

Synergasm, 2013 / Viagra and ink on chromatography paper / 4.5 x 5.5 inches

Everything But the Girl, 2013 / marijuana and ink on chromatography paper / 4.5 x 5.5 inches

Reality, 2013 / vodka and ink on chromatography paper / 4.5 x 5.5 inches

Press Release

Mark Moore Gallery is proud to present "MaximumStrengthAgeDefy," an exhibition of paintings and mixed media drawings by interdisciplinary artist, Ben Weiner. Marking the artist's third solo exhibition with the gallery, this body of work demonstrates Weiner's adept ability to synthesize abstraction with illusionism. Paired with his conceptual interest in consumerism and mortality, Weiner's technique yields arresting compositions rife with provocative intrigue.

In this exhibition, Weiner anchors his focus on materiality with bodily references, tension, and relationships. At once interpretive and literal, cropped images of artificial consumer products – such as body wash, hair gel, moisturizer, makeup, nail polish, energy drinks, and recreational drugs – mutate from their microscopic origins to macroscopic terrains and suggestive forms. In decontextualizing these ubiquitous materials, Weiner suggests the abstract, constructed, and subjective nature of beauty – as well as its most elemental components. Weiner obfuscates the differences between beauty products, paint, and comestibles, and in turn, highlights the increasingly fluid connectivity between seemingly divergent mass-manufactured methods and goods. In a Duchampian manner, Weiner intimates the readymade qualities of perceived fabrication; be it an arresting work of art or youthful visage. His painted matter swirls, drips, and fuses into psychedelic anatomies and topographies on a monumental scale, as if memorializing the uniquely human urge to prolong our physicality, mortality, and image. Weiner further exemplifies this social compulsion through his own meticulous handicraft, as he strives to create a near-mechanically perfect image. By addressing the threat of technology to the human touch, Weiner pairs the anxiety and celebration of the post-industrial era to create works that are similarly binary.

Weiner (b. 1980, Burlington, VT) received his BA from Wesleyan University (CT). He also studied under Mexican muralist José Lazcarro at Universidad de las Americas (Mexico) and has worked closely with artists Jeff Koons, Kim Sooja and Amy Yoes as an assistant. He has exhibited his work widely across the United States and in Mexico with solo shows in Los Angeles, New York and Puebla, and group exhibitions in Chicago, New York, Miami, New Haven, Ridgefield, Los Angeles and Riverside. His paintings can be found in the Sammlung/Collection (Germany), the Progressive Collection (OH), The Microsoft Collection (WA), and the Frederick R. Weisman Foundation Collection (CA). The artist lives and works in New York City.

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